Online exhibition in 50 objects
Fragment for Voice, Cello, and Piano
Arnold Schönberg
Fragment for Voice, Cello, and Piano
Draft. 1951
Arnold Schönberg’s last months were characterized by serious illness. Gertrud Schönberg told the composer’s sister, Ottilie Blumauer, that he suffered from asthma, constant high blood pressure, and depression. Schönberg had become too weak to participate in family life. The Modern Psalm, op. 50, which remained a fragment, is generally considered to be his last work. On 7 May 1951, about a half year after abandoning the choral piece, Schönberg received a visit from the Cellist Gregor Piatigorsky. His daughter Nuria recalled: “Immediately after the visit, Schönberg began to compose a little piece for cello with boy’s voice and piano. He had written the text together with my mother [Gertrud Schönberg]. It was based upon an experience of my brother Lawrence, who was 10 years old at the time.“ I got an A in arithmetic describes, from a child’s perspective, the conflict between the development of intellectual abilities and the desire to find belonging in a larger group; it plays out as an allegory between receiving the top grade in arithmetic and success in a baseball game. The first 15 bars of the cello part were completed by Schönberg. Here, he restricted himself to a statement of the primary form of the row, with constant repetition and variation of smaller pitch collections. The first five bars are mostly limited to the pitches c# , g#, and a, which are playfully developed and sometimes reordered. Schönberg’s son Lawrence probably recognized himself in this cheerful-melancholy Andantino gracioso: about 10 years after the death of his father, he began a degree in mathematics and became a high school teacher.

Johann Sebastian Bach: The Well-Tempered Clavier Book 1
Object 1

Theory of Harmony
Object 2

Chamber Symphony, op. 9
Object 3

String Quartet No. 2, op. 10/iv. Rapture
Object 4

Der Blaue Reiter. Almanac
Object 5

Pierrot lunaire, op. 21
Object 6

Arnold Schönberg in military uniform
Object 7

Symphony
Object 8

Jacob’s Ladder
Object 9

Five Piano Pieces, op. 23/i
Object 10

Serenade, op. 24/iii. Variations
Object 11

Autograph Card with Quote from Gurre-Lieder
Object 12

Suite for Piano, op. 25/i. Prelude
Object 13

Suite for Piano, op. 25/iv. Intermezzo
Object 14

Letter to Alma Mahler
Object 15

Self-Portrait
Object 16

On the Essence of Music
Object 17

Sketch for Serenade, op. 24/v. Dance Scene
Object 18

Ruler
Object 19

Claude Debussy: Sonate pour Violoncelle et Piano
Object 20

Suite for Piano, op. 25/iii. Musette
Object 21

Analysis (in the form of Program notes) of the four String Quartets
Object 22

Twelve-tone selection dial
Object 23

Letter to Arnold Schönberg
Object 24

Four Pieces for Mixed Chorus, op. 27/iv
Object 25

Presentation of the Idea
Object 26

Suite, op. 29
Object 27

Suite, op. 29
Object 28

Inversions and (superfluous) devices, Twelve tone dice
Object 29

String Quartet No. 3, op. 30
Object 30

Letter to Rudolf Kolisch
Object 31

Accompaniment to a Cinematographic Scene, op. 34
Object 32

From Today till Tomorrow, op. 32
Object 33

Analysis of Variations for Orchestra, op. 31
Object 34

Piano Piece, op. 33a
Object 35

Moses and Aron
Object 36

Enigma of Modern Music
Object 37

Lecture in Princeton
Object 38

String Quartet No. 4, op. 37
Object 39

Variations on a Recitative for Organ, op. 40
Object 40

Concerto for Piano and Orchestra, op. 42
Object 41

Ode to Napoleon Buonaparte, op. 41
Object 42

Prelude for Genesis op. 44
Object 43

A Survivor from Warsaw op. 46
Object 44

Doktor Faustus
Object 45

String Trio, op. 45
Object 46

Phantasy for Violin with Piano Accompaniment, op. 47
Object 47

Thrice A Thousand Years, op. 50A
Object 48

Modern Psalm, op. 50C
Object 49

Fragment for Voice, Cello, and Piano
Object 50